An imperative verb

asks a question
makes a demand
reflects a wish
states a fact

Answers

Answer 1

Answer: An imperative verb does not reflect a wish or state a fact. It is a type of verb that makes a demand or gives a command to someone to do something.

Explanation: For example, "Clean your room," "Sit down," "Open the window," are all examples of imperative verbs.

Answer 2

Answer:

The answer above is correct

Explanation: I searched it up


Related Questions

Study Island
from Chapter 1 in The Call of the Wild
by Jack London
He was glad for one thing: the rope was off his neck. That had given them an unfair advantage; but now that it was off, he would show them. They would never get another rope around his neck. Upon that he was resolved. For two days and nights he neither ate nor drank, and during those two days and nights of torment, he accumulated a fund of wrath that boded ill for whoever first fell foul of him. His eyes turned blood–shot, and he was metamorphosed into a raging fiend. So changed was he that the Judge himself would not have recognized him; and the express messengers breathed with relief when they bundled him off the train at Seattle.
Four men gingerly carried the crate from the wagon into a small, high-walled back yard. A stout man, with a red sweater that sagged generously at the neck, came out and signed the book for the driver. That was the man, Buck divined, the next tormentor, and he hurled himself savagely against the bars. The man smiled grimly, and brought a hatchet and a club.
"You ain't going to take him out now?" the driver asked.
"Sure," the man replied, driving the hatchet into the crate for a pry.
There was an instantaneous scattering of the four men who had carried it in, and from safe perches on top the wall they prepared to watch the performance.
Buck rushed at the splintering wood, sinking his teeth into it, surging and wrestling with it. Wherever the hatchet fell on the outside, he was there on the inside, snarling and growling, as furiously anxious to get out as the man in the red sweater was calmly intent on getting him out.
"Now, you red–eyed devil," he said, when he had made an opening sufficient for the passage of Buck's body. At the same time he dropped the hatchet and shifted the club to his right hand.
And Buck was truly a red–eyed devil, as he drew himself together for the spring, hair bristling, mouth foaming, a mad glitter in his blood–shot eyes. Straight at the man he launched his one hundred and forty pounds of fury, surcharged with the pent passion of two days and nights. In midair, just as his jaws were about to close on the man, he received a shock that checked his body and brought his teeth together with an agonizing clip. He whirled over, fetching the ground on his back and side. He had never been struck by a club in his life, and did not understand. With a snarl that was part bark and more scream he was again on his feet and launched into the air. And again the shock came and he was brought crushingly to the ground. This time he was aware that it was the club, but his madness knew no caution. A dozen times he charged, and as often the club broke the charge and smashed him down.
After a particularly fierce blow he crawled to his feet, too dazed to rush. He staggered limply about, the blood flowing from nose and mouth and ears, his beautiful coat sprayed and flecked with bloody slaver. Then the man advanced and deliberately dealt him a frightful blow on the nose. All the pain he had endured was as nothing compared with the exquisite agony of this. With a roar that was almost lion–like in its ferocity, he again hurled himself at the man. But the man, shifting the club from right to left, coolly caught him by the under jaw, at the same time wrenching downward and backward. Buck described a complete circle in the air, and half of another, then crashed to the ground on his head and chest.
For the last time he rushed. The man struck the shrewd blow he had purposely withheld for so long, and Buck crumpled up and went down, knocked utterly senseless.
9
Select all the correct answers.
Which two themes are explored in the passage?
A survival of the fittest
B value of friendship
C grief over losing a friend
D joy of uniting after ages
E power of humans over animals

Answers

The themes of the text are options A and D.

How are they expressed?

The two underlying principles elucidated in the passage are the law of the strongest and the authority humans have over beasts.

It displays Buck's endeavor to survive in a vicious setting where he is pitted against human antagonists that display their power through physical force.

The maxim: 'survival of the fittest' manifests itself in Buck's determination to prevail over his persecutors and exhibit his might. The rule of humans above animals is exhibited by the barbarous treatment meted upon Buck from his captors, who behold him like an animal subjected to control and taming.

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1) In the Poet X Book, what are your thoughts on the quote "Sometimes I want to tell her, the only person in this house who isn't heard is me."

2) What theme does this quote belong to and why?​​​

Answers

The quote "Sometimes I want to tell her, the only person in this house who isn't heard is me" is a statement that reflects the feelings of the main character, Xiomara, who feels silenced and unheard within her own home.

The thought on this quote is that it is a relatable statement that highlights the experiences of many young people who feel silenced in their own families or communities.

The quote belongs to the theme of identity and self-discovery, which is a central theme in the book. Xiomara is struggling to find her identity as a young woman, poet, and daughter in a traditional Dominican family that has certain expectations of her.

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